注意事項(xiàng): 1. 答題前, 考生先將自己的姓名、準(zhǔn)考證號(hào)碼填寫清楚, 將條形碼準(zhǔn)確粘貼在考生信息條形碼粘貼區(qū)。

2. 選擇題必須使用2B鉛筆填涂; 非選擇題必須使用0.5毫米黑色字跡的簽字筆書(shū)寫, 字體工整、筆跡清楚。

3. 請(qǐng)按照題號(hào)順序在答題卡各題目的答題區(qū)域內(nèi)作答, 超出答題區(qū)域書(shū)寫的答案無(wú)效; 在草稿紙、試卷上答題無(wú)效。

4. 作圖可先使用鉛筆畫(huà)出, 確定后必須用黑色字跡的簽字筆描黑。

5. 保持卡面清潔, 不要折疊, 不要弄破、弄皺, 不準(zhǔn)使用涂改液、修正帶、刮紙刀。

第一部分 聽(tīng)力(1-20小題)在筆試結(jié)束后進(jìn)行。

英語(yǔ)聽(tīng)力

注意事項(xiàng): 英語(yǔ)聽(tīng)力共兩節(jié), 20小題, 每小題1.5分, 滿分30分。

第一部分聽(tīng)力(共兩節(jié), 滿分30分)

做題時(shí), 先將答案標(biāo)在試卷上。錄音內(nèi)容結(jié)束后, 你將有兩分鐘的時(shí)間將試卷上的答案轉(zhuǎn)涂到答題卡上。

第一節(jié)(共5小題; 每小題1.5分, 滿分7.5分)

聽(tīng)下面5段對(duì)話。每段對(duì)話后有一個(gè)小題, 從題中所給的A、B、C三個(gè)選項(xiàng)中選出最佳選項(xiàng)。聽(tīng)完每段對(duì)話后, 你都有10秒鐘的時(shí)間來(lái)回答有關(guān)小題和閱讀下一小題。每段對(duì)話僅讀一遍。

例: How much is the shirt?

A. ?19.15. B. ?9.18. C. ?9.15.

答案是C。

1. What will Jack probably do this weekend?

A. Go camping. B. Visit a friend. C. Watch a film.

2. What does the woman ask the man to do?

A. Take care of her bags. B. Pack the food for her. C. Check the train schedule.

3. When will the man see Bob?

A. This Friday. B. This Saturday. C. Next Monday.

4. Why does the man apologize?

A. For the terrible food. B. For the overcharge. C. For the waiter’s rudeness.

5. What are the speakers talking about?

A. Writing a book. B. Holding a celebration. C. Buying a present.

第二節(jié)(共15小題; 每小題1.5分, 滿分22.5分)

聽(tīng)下面5段對(duì)話或獨(dú)白。每段對(duì)話或獨(dú)白后有幾個(gè)小題, 從題中所給的A、B、C三個(gè)選項(xiàng)中選出最佳選項(xiàng)。聽(tīng)每段對(duì)話或獨(dú)白前, 你將有時(shí)間閱讀各個(gè)小題, 每小題5秒鐘; 聽(tīng)完后, 各小題將給出5秒鐘的作答時(shí)間。每段對(duì)話或獨(dú)白讀兩遍。

聽(tīng)第6段材料, 回答第6、7題。

6. Why does Sara make the phone call?

A. To ask for advice. B. To arrange an outing. C. To cancel an appointment.

7. What does David want to do?

A. Go to a dinner party. B. Talk to Sara in person. C. Work on the new case.

聽(tīng)第7段材料, 回答第8、9題。

8. Where is Jim now?

A. In a taxi. B. On a bus. C. In his office.

9. What is the woman’s suggestion?

A. Going to the city center. B. Taking a short cut home. C. Meeting Jim in the park.

聽(tīng)第8段材料, 回答第10至13題。

10. What did Clara do at the weekend?

A. She planted vegetables. B. She went to a yard sale. C. She visited her grandpa.

11. What did Mark find inside one of the books he bought?

A. A plane ticket. B. A family photo. C. A post card.

12. Where does Mark live?

A. Los Angeles. B. Chicago. C. Philadelphia.

13. What is the relationship between Mark and Ashley?

A. Brother and sister. B. Husband and wife. C. Father and daughter.

聽(tīng)第9段材料, 回答第14至17題。

14. What is probably the woman?

A. A teacher. B. A journalist. C. An athlete.

15. What does Victor find difficult as a member of the basketball team?

A. Adapting himself to the intense training.

B. Dealing with the pressure from the coach.

C. Regaining the skills learned in high school.

16. What does Victor say about the players on the team?

A. They are of the same age.

B. They are similar in character.

C. They are from different countries.

17. How does Victor feel about his team now?

A. It’s about to break up. B. It’s the best in Indiana. C. It’s getting stronger.

聽(tīng)第10段材料, 回答第18至20題。

18. Who is Tom Hokinson?

A. Founder of a magazine. B. Publisher of a novel. C. Editor of a newspaper.

19. What do we know about the content of The Idler?

A. It’s old-fashioned. B. It’s wide-ranging. C. It’s student-targeted.

20. Why does the speaker give the talk?

A. To do a promotion. B. To discuss an issue. C. To introduce a lecturer.

第二部分 閱讀(共兩節(jié), 滿分50分)

第一節(jié)(共15小題; 每小題2.5分, 滿分37.5分)

閱讀下列短文, 從每題所給的A、B、C、D四個(gè)選項(xiàng)中選出最佳選項(xiàng)。

A

Yellowstone National Park offers a variety of ranger programs throughout the park, and throughout the year. The following are descriptions of the ranger programs this summer.

Experiencing Wildlife in Yellowstone(May 26 to September 2)

Whether you’re hiking a backcountry trail(小徑), camping, or just enjoying the park’s amazing wildlife from the road, this quick workshop is for you and your family. Learn where to look for animals and how to safely enjoy your wildlife watching experience. Meet at the Canyon Village Store.

Junior Ranger Wildlife Olympics(June 5 to August 21)

Kids can test their skills and compare their abilities to the animals of Yellowstone. Stay for as little or as long as your plans allow. Meet in front of the Visitor Education Center.

Canyon Talks at Artist Point(June 9 to September 2)

From a classic viewpoint, enjoy Lower Falls, the Yellowstone River, and the breathtaking colors of the canyon(峽谷)while learning about the area’s natural and human history. Discover why artists and photographers continue to be drawn to this special place. Meet on the lower platform at Artist Point on the South Rim Drive for this short talk.

Photography Workshops(June 19& July 10)

Enhance your photography skills—join Yellowstone’s park photographer for a hands-on program to inspire new and creative ways of enjoying the beauty and wonder of Yellowstone.

6/19-Waterfalls &Wide Angles: meet at Artist Point.

7/10-Wildflowers &White Balance: meet at Washburn Trailhead in Chittenden parking area.

21. Which of the four programs begins the earliest?

A. Photography Workshops. B. Junior Ranger Wildlife Olympics.

C. Canyon Talks at Artist Point. D. Experiencing Wildlife in Yellowstone.

22. What is the short talk at Artist Point about?

A. Works of famous artists. B. Protection of wild animals.

C. Basic photography skills. D. History of the canyon area.

23. Where will the participants meet for the July 10 photography workshop?

A. Artist Point. B. Washburn Trailhead.

C. Canyon Village Store. D. Visitor Education Center.

B

Turning soil, pulling weeds, and harvesting cabbage sound like tough work for middle and high school kids. And at first it is, says Abby Jaramillo, who with another teacher started Urban Sprouts, a school garden program at four low-income schools. The program aims to help students develop science skills, environmental awareness, and healthy lifestyles.

Jaramillo’s students live in neighborhoods where fresh food and green space are not easy to find and fast food restaurants outnumber grocery stores. "The kids literally come to school with bags of snacks and large bottles of soft drinks," she says. "They come to us thinking vegetables are awful, dirt is awful, insects are awful." Though some are initially scared of the insects and turned off by the dirt, most are eager to try something new.

Urban Sprouts’ classes, at two middle schools and two high schools, include hands-on experiments such as soil testing, flower-and-seed dissection, tastings of fresh or dried produce, and work in the garden. Several times a year, students cook the vegetables they grow, and they occasionally make salads for their entire schools.

Program evaluations show that kids eat more vegetables as a result of the classes. "We have students who say they went home and talked to their parents and now they’re eating differently," Jaramillo says.

She adds that the program’s benefits go beyond nutrition. Some students get so interested in gardening that they bring home seeds to start their own vegetable gardens. Besides, working in the garden seems to have a calming effect on Jaramillo’s special education students, many of whom have emotional control issues. "They get outside," she says, "and they feel successful."

24. What do we know about Abby Jaramillo?

A. She used to be a health worker. B. She grew up in a low-income family.

C. She owns a fast food restaurant. D. She is an initiator of Urban Sprouts.

25. What was a problem facing Jaramillo at the start of the program?

A. The kids’ parents distrusted her. B. Students had little time for her classes.

C. Some kids disliked garden work. D. There was no space for school gardens.

26. Which of the following best describes the impact of the program?

A. Far-reaching. B. Predictable. C. Short-lived. D. Unidentifiable.

27. What can be a suitable title for the text?

A. Rescuing School Gardens B. Experiencing Country Life

C. Growing Vegetable Lovers D. Changing Local Landscape

C

Reading Art: Art for Book Lovers is a celebration of an everyday object-the book, represented here in almost three hundred artworks from museums around the world. The image of the reader appears throughout history, in art made long before books as we now know them came into being. In artists’ representations of books and reading, we see moments of shared humanity that go beyond culture and time.

In this "book of books,” artworks are selected and arranged in a way that emphasizes these connections between different eras and cultures. We see scenes of children learning to read at home or at school, with the book as a focus for relations between the generations. Adults are portrayed(描繪)alone in many settings and poses—absorbed in a volume, deep in thought or lost in a moment of leisure. These scenes may have been painted hundreds of years ago, but they record moments we can all relate to.

Books themselves may be used symbolically in paintings to demonstrate the intellect(才智), wealth or faith of the subject. Before the wide use of the printing press, books were treasured objects and could be works of art in their own right. More recently, as books have become inexpensive or even throwaway, artists have used them as the raw material for artworks-transforming covers, pages or even complete volumes into paintings and sculptures.

Continued developments in communication technologies were once believed to make the printed page outdated. From a 21st-century point of view, the printed book is certainly ancient, but it remains as interactive as any battery-powered e-reader. To serve its function, a book must be activated by a user: the cover opened, the pages parted, the contents reviewed, perhaps notes written down or words underlined. And in contrast to our increasingly networked lives where the information we consume is monitored and tracked, a printed book still offers the chance of a wholly private, “off-line” activity.

28. Where is the text most probably taken from?

A. An introduction to a book. B. An essay on the art of writing.

C. A guidebook to a museum. D. A review of modern paintings.

29. What are the selected artworks about?

A. Wealth and intellect. B. Home and school.

C. Books and reading. D. Work and leisure.

30. What do the underlined words “relate to” in paragraph 2 mean?

A. Understand. B. Paint. C. Seize. D. Transform.

31. What does the author want to say by mentioning the e-reader?

A. The printed book is not totally out of date. B. Technology has changed the way we read.

C. Our lives in the 21st century are networked. D. People now rarely have the patience to read.

D

As cities balloon with growth, access to nature for people living in urban areas is becoming harder to find. If you’re lucky, there might be a pocket park near where you live, but it’s unusual to find places in a city that are relatively wild.

Past research has found health and wellness benefits of nature for humans, but a new study shows that wildness in urban areas is extremely important for human well-being.

The research team focused on a large urban park. They surveyed several hundred park-goers, asking them to submit a written summary online of a meaningful interaction they had with nature in the park. The researchers then examined these submissions, coding(編碼) experiences into different categories. For example, one participant’s experience of "We sat and listened to the waves at the beach for a while" was assigned the categories “sitting at beach” and “l(fā)istening to waves.”

Across the 320 submissions, a pattern of categories the researchers call a “nature language” began to emerge. After the coding of all submissions, half a dozen categories were noted most often as important to visitors. These include encountering wildlife, walking along the edge of water, and following an established trail.

Naming each nature experience creates a usable language, which helps people recognize and take part in the activities that are most satisfying and meaningful to them. For example, the experience of walking along the edge of water might be satisfying for a young professional on a weekend hike in the park. Back downtown during a workday, they can enjoy a more domestic form of this interaction by walking along a fountain on their lunch break.

"We’re trying to generate a language that helps bring the human-nature interactions back into our daily lives. And for that to happen, we also need to protect nature so that we can interact with it," said Peter Kahn, a senior author of the study.

32. What phenomenon does the author describe at the beginning of the text?

A. Pocket parks are now popular. B. Wild nature is hard to find in cities.

C. Many cities are overpopulated. D. People enjoy living close to nature.

33. Why did the researchers code participant submissions into categories?

A. To compare different types of park-goers. B. To explain why the park attracts tourists.

C. To analyze the main features of the park. D. To find patterns in the visitors’ summaries.

34. What can we learn from the example given in paragraph 5?

A. Walking is the best way to gain access to nature.

B. Young people are too busy to interact with nature.

C. The same nature experience takes different forms.

D. The nature language enhances work performance.

35. What should be done before we can interact with nature according to Kahn?

A. Language study. B. Environmental conservation.

C. Public education. D. Intercultural communication.

第二節(jié)(共5小題; 每小題2.5分, 滿分12.5分)

閱讀下面短文, 從短文后的選項(xiàng)中選出可以填入空白處的最佳選項(xiàng)。選項(xiàng)中有兩項(xiàng)為多余選項(xiàng)。

As an artist who shares her journey on social media, I’m often asked by curious followers how to begin an art journey. Unfortunately, there is no magic list I can offer. I do remember, though, what it was like to be a complete beginner. So I’ve put together some good tips for starting an art journey.

·Start small. I suggest using a sketchbook(素描本)for small studies. These small studies provide inspiration and may be a springboard for more complex works in the future. 36 You’ll want to look back on your journey to see how far you’ve come.

·Paint often and paint from life. There’s no better way to improve than to put in those brush miles. Whether you paint still lifes, portraits, or landscapes, paint from life as much as possible. 37

·Continually challenge yourself to try something new. 38 Artistic growth can be a bit painful. Welcome to the club, we’ve all been there. I love taking on challenges. I once took up a challenge to create a painting every day for a month and post the works online.

· 39 Seeking and accepting constructive feedback(反饋)is crucial to growth. I post my work on social media and, in turn, have met some of the kindest people. They make me feel valued and respected, no matter my level of artistic ability.

The journey you’re on won’t follow a straight path. 40 Push through, give it time and put in the effort. You will harvest the rewards of an artistic life.

A. Get out of your comfort zone.

B. Make career plans and set goals.

C. Don’t throw away your beginner art.

D. Share your work if you feel comfortable doing so.

E. You’ll hit roadblocks, and you’ll feel discouraged at times.

F. Evaluate your performance and, if needed, redefine your role.

G. You’ll develop that painting muscle memory that only comes with repetition.

第三部分語(yǔ)言運(yùn)用(共兩節(jié), 滿分30分)

第一節(jié)(共15小題; 每小題1分, 滿分15分)

閱讀下面短文, 從每題所給的A、B、C、D四個(gè)選項(xiàng)中選出可以填入空白處的最佳選項(xiàng)。

In April last year, I saw a post on the PNP(Pilots N Paws)website from a family in Topeka. They had to move to Virginia but they were on a very tight 41 . They could not afford to pay for 42 for their dog, Tiffy, and 43 wanted to take her with them.

It just 44 that I was planning another PNP flight with another pilot, Karen, who 45 to take Tiffy from Kansas City to Virginia. What I was to do was fly to Topeka to 46 Tiffy.

When I met Tiffy’s owners, they seemed very 47 . George, the husband, was trying to be calm, but I could tell this was 48 for him, having to leave his dog to a 49 and trust that everything would 50 .

After some goodbyes, I asked George and his wife to help me 51 Tiffy into the plane. I promised to take care of Tiffy and 52 them as soon as we got to Kansas City.

The flight was 53 , and Tiffy was a great passenger. The next day, she 54 with Karen and made it back to George in Virginia within a few days. He was so 55 and sent me a nice e-mail with pictures. It felt great to know that I had helped bring this family together again.

41. A. turn B. budget C. schedule· D. connection

42. A. food B. shelter C. medicine D. transportation

43. A. desperately B. temporarily C. secretly D. originally

44. A. appeared B. proved C. happened D. showed

45. A. waited B. offered C. hurried D. failed

46. A. see off B. look for C. hand over D. pick up

47. A. confused B. nervous C. annoyed D. curious

48. A. hard B. fine C. common D. lucky

49. A. coworker B. passenger C. stranger D. neighbor

50. A. speed up B. work out C. come back D. take off

51. A. feed B. follow C. change D. load

52. A. call B. join C. leave D. serve

53. A. unnecessary B. unexpected C. unavoidable D. uneventful

54. A. returned B. fought C. flew D. agreed

55. A. thankful B. generous C. proud D. sympathetic

第二節(jié)(共10小題; 每小題1.5分, 滿分15分)

閱讀下面短文, 在空白處填入1個(gè)適當(dāng)?shù)膯卧~或括號(hào)內(nèi)單詞的正確形式。

Whenever I tell people that I teach English at the Berlin Zoo, I almost always get a questioning look. Behind it, the person is trying to figure out who exactly I teach…the animals?

Since June 2017, right before the 56 (arrive)of the two new pandas, Meng Meng and Jiao Qing, I have been helping the panda keepers at the zoo to feel more comfortable and 57 (confidence)speaking English. And who do they speak English 58 ?

Not the pandas, even though 59 language used for the medical training instructions is actually English. They talk to the flood of international tourists and to 60 (visit)Chinese zookeepers who often come to check on the pandas, which are on loan from China. They also need to be ready to give 61 (interview)in English with international journalists. This is 62 they need an English trainer.

So, what are they learning? 63 (basic), how to describe a panda’s life. It’s been an honor to watch the panda programme develop 64 to see the pandas settle into their new home. As a little girl, I 65 (wish)to be a zookeeper when I grew up. Now, I’m living out that dream indirectly by helping the panda keepers do their job in English.

第四部分 寫作(共兩節(jié), 滿分40分)

第一節(jié)(滿分15分)

假定你是李華, 外教Ryan準(zhǔn)備將學(xué)生隨機(jī)分為兩人一組, 讓大家課后練習(xí)口語(yǔ), 你認(rèn)為這樣分組存在問(wèn)題。請(qǐng)你給外教寫一封郵件, 內(nèi)容包括:

1. 說(shuō)明問(wèn)題;

2. 提出建議。

注意:

1. 寫作詞數(shù)應(yīng)為80個(gè)左右;

2. 請(qǐng)按如下格式在答題卡的相應(yīng)位置作答。

第二節(jié)(滿分25分)

閱讀下面材料, 根據(jù)其內(nèi)容和所給段洛開(kāi)頭語(yǔ)續(xù)寫內(nèi)段, 使之構(gòu)成一篇完整的短文。

When I was in middle school, my social studies teacher asked me to enter a writing contest. I said no without thinking. I did not love writing. My family came from Brazil, so English was only my second language. Writing was so difficult and painful for me that my teacher had allowed me to present my paper on the sinking of the Titanic by acting out a play, where I played all the parts. No one laughed harder than he did.

So, why did he suddenly force me to do something at which I was sure to fail? His reply: "Because I love your stories. If you’re willing to apply yourself, I think you have a good shot at this.” Encouraged by his words, I agreed to give it a try.

I chose Paul Revere’s horse as my subject. Paul Revere was a silversmith(銀匠)in Boston who rode a horse at night on April 18, 1775 to Lexington to warn people that British soldiers were coming. My story would come straight from the horse’s mouth. Not a brilliant idea, but funny; and unlikely to be anyone else’s choice.

What did the horse think, as he sped through the night? Did he get tired? Have doubts? Did he want to quit? I sympathized immediately. I got tired. I had doubts. I wanted to quit. But, like Revere’s horse, I kept going. I worked hard. I checked my spelling. I asked my older sister to correct my grammar. I checked out a half dozen books on Paul Revere from the library. I even read a few of them.

When I handed in the essay to my teacher, he read it, laughed out loud, and said, “Great. Now, write it again." I wrote it again, and again and again. When I finally finished it, the thought of winning had given way to the enjoyment of writing. If I didn’t win, I wouldn’t care.

注意:

1. 續(xù)寫詞數(shù)應(yīng)為150個(gè)左右;

2. 請(qǐng)按如下格式在答題卡的相應(yīng)位置作答。

高考英語(yǔ)考前一個(gè)月備考技巧

一、鞏固基礎(chǔ)，不丟掉該得到的每一分

知識(shí)的鞏固是考試取得好成績(jī)的基本保障。通過(guò)六年的學(xué)習(xí)，同學(xué)們應(yīng)該已經(jīng)獲得了大量的語(yǔ)言知識(shí)、語(yǔ)用知識(shí)、句法知識(shí)以及語(yǔ)法知識(shí)，但所學(xué)知識(shí)的掌握情況存在著較大的個(gè)體差異。從平時(shí)練習(xí)及一模試卷分析可見(jiàn)有相當(dāng)數(shù)量的同學(xué)對(duì)于基礎(chǔ)知識(shí)的掌握還不夠熟練，還沒(méi)有達(dá)到能夠靈活運(yùn)用的程度，因此在考試中分不清考點(diǎn)與干擾項(xiàng)，丟掉了本來(lái)應(yīng)該得到的分。

二、定時(shí)練習(xí)，提高高考應(yīng)試的技巧

針對(duì)英語(yǔ)高考題型，定時(shí)練習(xí)是提高高考應(yīng)試能力和技巧的必要環(huán)節(jié)。如能每天定時(shí)完成一定量的分項(xiàng)練習(xí)，如語(yǔ)法、完型或閱讀，不但能通過(guò)熟悉題型提高單位時(shí)間內(nèi)的做題效率，同時(shí)還能更加準(zhǔn)確、高效地捕捉考點(diǎn)，從而減輕壓力，達(dá)到考試時(shí)的正常發(fā)揮。

三、查漏補(bǔ)缺，核對(duì)自己基礎(chǔ)知識(shí)體系的完整性

如發(fā)現(xiàn)有遺漏現(xiàn)象務(wù)必及時(shí)補(bǔ)救。借助英語(yǔ)詞匯復(fù)習(xí)以及詞和詞組的用法，通過(guò)聯(lián)想串聯(lián)語(yǔ)法考點(diǎn)也是達(dá)到基礎(chǔ)知識(shí)系統(tǒng)化的手段之一。

高考英語(yǔ)聽(tīng)力答題技巧

1、迅速瀏覽問(wèn)題。利用聽(tīng)錄音前的時(shí)間，迅速看一遍題目，預(yù)測(cè)短文或?qū)υ捒赡苌婕暗膬?nèi)容。

2、注意聽(tīng)短文的首句和首段。文章的開(kāi)首句和開(kāi)首段，往往是對(duì)短文內(nèi)容的概括，如講話目的、主要內(nèi)容、作者、論點(diǎn)、故事發(fā)生的時(shí)間、地點(diǎn)及事由等。

3、獲取對(duì)話中的具體信息。注意對(duì)話中的一些具體信息，如時(shí)間、地點(diǎn)、人物、年代事件、數(shù)字等。

4、理解領(lǐng)會(huì)對(duì)話的意圖觀點(diǎn)、態(tài)度及內(nèi)容。要特別注意講話者隨時(shí)會(huì)改變主意和更正說(shuō)過(guò)的話。有時(shí)候，更正的話會(huì)由其他人說(shuō)出來(lái)。

5、立足于整體。不管聽(tīng)什么材料，注意力一定要集中在整體內(nèi)容的理解上，千萬(wàn)不能只停留在個(gè)別單詞或單句上。

6、重點(diǎn)聽(tīng)實(shí)詞。要把重點(diǎn)放在聽(tīng)關(guān)鍵詞即實(shí)詞上，一邊聽(tīng)一邊把要點(diǎn)及回答問(wèn)題的關(guān)鍵詞記下來(lái)。

高考英語(yǔ)答題方法是什么

英語(yǔ)閱讀答題技巧及方法：

“重”——“重文本”。讀懂文章最重要。

“定”——“定區(qū)間”。能夠圈定各題答案的范圍。

“劃”——“劃根據(jù)”。作答時(shí)理由要充分，并在文章中劃出解題依據(jù)。

“看”——“看轉(zhuǎn)換”。注意同一意思的不同表述(同意轉(zhuǎn)述)。

“防”——“防陷井”。鎖定是“true”還是“not true”，辨明形近詞。

“讀”——“讀全項(xiàng)”。做判斷時(shí)要通讀每一題的所有選項(xiàng)，區(qū)分鑒別，選擇最佳。

很多同學(xué)在英語(yǔ)閱讀理解中，都錯(cuò)在了關(guān)鍵的第一步——審題上。

那么到底如何看題干，我們應(yīng)該看哪里?

大部分同學(xué)知道，用時(shí)間、大寫詞去定位，但其實(shí)這只是最基本的定位信息。

A. 看似松散，一般每篇只有四個(gè)問(wèn)題，實(shí)則考查對(duì)文章中心思想的把握能力。

B. 看似粗線條，根據(jù)文中具體信息便可判斷正確答案，實(shí)則考查句意理解的精確度。

C. 抓住關(guān)鍵句，每段的首句大抵是本段的關(guān)鍵句。